piano etude number 7

two ideas in play here:

1. stacked 4ths.  for example, the opening chords are two separate stacks of fourths:

RH – C F# B

LH – E A D

these are not all perfect fourths, and resolve in different ways, but the color for the etude is established with these stacks.  when the blocked chords become a linear pattern a few seconds in, it’s the same stacks, broken up.  these six notes establish a rhythmic theme for the accompaniment part.

2. hand to hand play (not evident in recording) – the accompaniment part (above) is really a two handed part, with each hand getting a different stack of fourths, so the melody part that appears about 30 seconds in has to happen around this accompaniment part.  i should make a video.  basically when one hand or another is not playing the accompaniment run, it’s reaching up an octave for a melody note.  this makes for fun hand over hand work, and a bit of speed to reach some of the notes.  think of it this way, when you hear the melody come in, it’s played in this order:

right, right, left, right left

etude 7 crop

OK!

well, thanks for listening and reading.

p.s.  Hideout Soul Revue is August 15th (a week away!) and not to be missed

p.p.s.  OK!

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