Archive for the ‘bass’ Category

opus 32 in b major

May 11, 2008

click this sentence (for musics)

this is just a delightful little piece put together by myself and some mucca’s a week ago at rehearsals in denver, co.

in between real rehearsal time, a few of us started jamming on these two sections of material. the first is the comically smooth I to IV (C major to F major) “jam”, and the second is the “apocalyptic tri-tone terror jam.”TM we found this to be so funny when we were doing it, that we ended up playing through and improvising over this bit for roughly half an hour straight (reports on actual time vary). it escalated into vocalizing and horn playing and interrupting people talking and trying to maintain order. what fun.

upon returning from said denver trip, i recorded a longer version of the tune sans vocalization, and limited to drums, bass, guitar, and piano. i wanted to try to reproduce some of the hilarious “soloing” that we did in denver, and also test out some new mics. you can here this multi-tracked version HERE. i made it a point to give each instrument only one “take” (or try) when recording, to retain that improvised, spontaneous (even if it’s bad) feel.

the original rockers on the denver recording (the conception) are:

jeff thomas

dave ramey

george lawler

sam johnson

elanor leskiw, and

justin amolsch

what fun. ya’ll rock my socks.

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in the cans

April 24, 2008

hello faithful readers/listeners. thanks for stopping by!

this weeks song, “in the cans” (mp3), centers loosely around my Christian faith, the commandments, death, and wanting to KNOW things that ultimately require FAITH because we they’re not provable. it’s an old dilemma for me, and an old one for humans in general i rekon. i don’t think i bring any fresh insight to this necessarily, but it’s been on my mind.

MUSIC

guitar, bass, drums, a coupla synths, and strings. the strings are new samples i’ve been working with, trying to get to sound realistic, which is tough. they’re a little fake in this one too, but i’m excited about figuring out ways to make ’em more believable. this music was written primarily from the piano, which often, for me, means that it moves around a fair amount harmonically.

LYRICS

i used a recording session as my backdrop or metaphor this time, which was fun. the main idea is that the process of learning how to live is similar to making music. the trial and error, the listening (through headphones in this case), copying others, and making mistakes on your way to a salvageable or even excellent take or idea. your guidance can be other stuff you’ve heard, friends who listen to your drafts, and rules for harmony, rhythm, line, etc. all the while though, there’s something you can’t explain about what you like. what sounds good or feels right.

happy new year

January 3, 2008

hey lovers.

welcome to the jon steinmeier song a week turbo-toasting automatic static processing class blaster robot handkerchief chug-a-lug bug blog, and happy new year.

this weeks entry celebrates one solid year of “song a week”ing and is called “0708,” really obviously and unimaginatively of course. CLICK HEAR (mp3)

the openning material was written over christmas time at the steinmeier HQ in jefferson city missouri, and started as an ode to 2007 (really, i’m serious) that i was going to develop into an ode to ’08, or just to the idea of marking a year in the life and having hopes or expectations for the next period. i got caught up in the moving lines of this openning theme and it quickly ceased to be programmatic. i came back to chicago at the end of last week and continued to flesh it out a bit, tweeked and expanded, and recorded it.

the second “half” of the piece was originally going to represent 2008 (stupid i know) but then i realized that i don’t know anything about 2008, so i just made it a rocker. maybe a bit butt-rawk at times, but hey, live a little.

throughout the piece i use the same bit of thematic material, which i think helps it feel like one piece instead of two. it’s an A and a B, a jeckyl and hyde, a before and after, etc…of the same theme that’s presented in the first 2 or 3 bars of the piece. i love this approach of taking a small idea and using or overusing it from beginning to end of a song. beethoven did this a lot (far better than i), taking a very short idea, and expanding it into hours of masterful orchestration and developement.

also, the middle section of the piece is in 7/8, meaning it has seven beats in every measure and feels funny because we’re used to hearing 4 or 8, some even number of beats. this originally was going to be a transition from 7/8 to 8/8 as a symbolic turn of the year marker, but ended up being a transition from 7/8 to 14/8. oops.

it’s a total failure. hope you like it.

j