Archive for the ‘melodrama’ Category

let’s go sailing

August 28, 2008

aka “pure american water”

aka “p.a.w.”

aka “sail away”

aka “little ponies”

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music

the main goal of this one ended up being melodic material, and i basically wrote in this order:

1. main beat

2. chorus section chords

3. chorus section melody

4. other synth parts

5. guitar parts, which gave the verse section harmonic clarity

6. verse melody and all lyrics

not an unusual or particularly interesting writing order or scenario, but it was nice to get back into focusing on “melody over chords,” and chords which are mostly inside but go “outside” just a bit.

the words speak of a dream to one day be able to sail into another magical world where freedom is free and all cares are cut off by the magical sunshine and we’re all ponies.

thanks for listening!

j

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freaks of nurture

July 9, 2008

hi friends! thanks for tuning in!

Freaks of Nurture

“freaks of nurture” is a poppy little romp through my last few weeks, and simultaneously through years of field work in the area of relationships and human interaction.

MUSIC

this was another song written from the “guitar.” this is often a good bet for me, if i give it time and enjoy playing the instrument. as a keyboard player and drummer, the guitar is both a nice break and an environment with welcome limits. the verse section of this song is a testament to that: very simple and melody driven. the “chorus” has a “strange change” that i think helps get its’ point across, even though the “nothing new under the sun” theory still applies.

for the geeks: i go to the the four chord for the chorus, but make it it IV, IV/I, #IV. what the hell?.

also for the geeks, or anyone who feels like singing along, the melodies in the verse and chorus start exactly the same way…with the same four notes, but in different keys! yay!! this is one of those “continuity” issues that i was really happy with.

after writing the core of the song on my back porch with guitar and voice and verse one lyrics (and coffee), i went to Ableton Live and laid down the fake drums and keyboard parts. i was going for simple, synthy, and a bit funny. i then added guitar, bass, and background vocals that were vaguely in my head from early on, but as usual, came together during the recording process.

WORDS (also known as “lyrics”)

whew…ok…well. this is another song in the “serious” category, which i’m getting increasingly comfortable with for some reason. while it’s understandably vague (i think), it stems from a short list of things:

1. the maplympics (july 4th weekend of events here)

2. girls

3. human nature, social verses innate

4. a funny compound plural noun coined years ago by my friend, steve williamson: “freaks of nurture”

5. a couple of recent dates i’ve had.

woah. dates? i won’t get into it here. but let’s say that i know some lovely people. this song isn’t “about” anyone but me ultimately, but touches on some of my “romantic” relationships, and the conflict and joy therein. in this song, it’s something that reminds me of how wonderfully humans are made (creationist theory), and how interesting and tricky it can be to operate as one (inherently).

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thanks for listening! if you’d you find me interesting enough to send you updates about “song of the week” postings, please click HERE for the mailing list.

if you don’t, thanks for your patience.

j

certain things

September 10, 2007

welcome to another weekly update of the jon steinmeier “song a week” weekly blog weak week blog leek. this weeks song is for everyone, especially brad smith, who challenged me to get serious. THIS SONG IS SUPER SERIOUS. it’s called “certain things” (CLICK FOR MP3).

okay. this song came lyrics first, in eight stanza’s that had to be tweaked once the music was written. i was conscious of the lyrics as i wrote the piano/melodic parts but not specifically enough to write the music TO the lyrics. so, the lyrics (syllables per phrase, etc) had to be modified eventually to fit.

WORDS

if i were to say what this song “is about” i would say it’s about taking comfort in knowing that while you don’t know as much as you’d like to (in general), no one else does either. i’ve found that we generally say a lot of stupid things when we pretend to know what we’re talking about and don’t. opinion is inevitable and crucial, but we have a natural desire to KNOW, and often jump the gun by assuming (or acting like) we DO know. this is vague i know, but it’s true i think in a very general to specific sense.

that being said…i love the peace of mind that comes with understanding how little i know as an individual, and the learning that can actually happen when i keep my mouth shut and pay attention. the things in life that we often learn aren’t the things that we’re seeking out. they sometimes come to us in that process toward some other knowledge, like learning (the hard way) that you’re clingy, or that you still see yourself as the fat kid with glasses that you were in 7th grade, or figuring out why you care about that, or having political and/or religious opinions and why…

i reference “checking out the humans” in a sort of “we’re all in this together” sort of way. just to say that everyone has more questions than they let on. and “there’s an amazing level of relax, that comes with checking back” is a key line in the song for me. it’s the first line i wrote, basically as a reminder that we can learn from our own and other people’s triumphs and failures, and relax in the idea that we’re not gonna figure it all out. it’s ok not to know everything. 🙂

as i sing/read the lyrics i find other little ideas (in the same realm) that make sense to me…which is funny and maybe ironic, cause the “meaning” behind the lyrics is something that has evolved a little bit as i read ’em. not to say that they’re lofty by any stretch, but that as i write some bits of my subconscious show up and i have to decipher them later.

MUSIC

http://en.wikipedia.org/wiki/Music

so, writing from the piano, i wrote the A section (certain things are certain) first and liked the character of the Major 6 chord to the diminished chord and looped it. the B wanders a little harmonically (still just two chords though) and made sense with the A so i dug it. i end that section with a FIVE chord (sorry for the harmony talk…hopefully interesting to someone) and had the idea for the intro of the song…just lingering on the five (sol) as a single note. it makes your ear thing that it’s one when it’s the first thing presented to you, so when the full A section comes in it’s like you’ve been tricked, but that note (Five) is still IN the ONE of the A section. 🙂 baaaaaaaaaa sjdklfa;jsdkfl;ajsdklf;jaslkdf;ajsdf. i do the same thing with the bridge, where the chords meander all over the place and end up on a chord (a NEW chord) that has the same single not from the beginning in it…which then repeats just like the intro. again, you’re ear (in theory) has been directed to a different harmonic “home” and will (hopefully) be surprised again to hear the A section return. so, again, you think you know where the one is, but you could be wrong…get it? like the lyrics. get it? yeah? ha! woo…

what do ya’ll think?

thanks for listening.