Archive for the ‘tragic theme’ Category

floyd takes a walk

May 14, 2008

cause he needs to clear his head. but the head in question is plagued with regret and hopelessness. it’s noisy, and heavy, and just won’t leave his body. it rumbles like the breath of a 50 ft. tall monster drama queen.

“floyd takes a walk” is the first episode of a score for narrative i’m working on (what the hell?).  i’ve been feeling like taking on a bigger project lately, and getting away (for a bit) from the two section three chord drum-machine jams. and i love thinking in sets, or bigger collections. in this case, i’m writing themes for a specifically awkward, sad, lovable character who i’m calling floyd. it’s tough being floyd. he tries and he tries, but to little or no avail, so it seems. “narrative” may not be the word exactly, as i’m writing these and seeing where THEY take the character. music first, scene second. tune in next week for episode TWO! it’s already finished, but i’ll save it for next week.

thanks for listening! i hope this one gets your imaginative imagery going.

j

mailing list is here

mucca pazza at columbia college’s “manifest” this friday.

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romance by request

August 3, 2007

hey kids! welcome back. thanks for tuning in to steinyradio. this weeks song is called “romance by request” and goes into that semi-cinematic orchestral category.

the goal: i started out attempting to write a romance theme, and feel like i ended up somewhere closer to tragic romance, or lost love. i think my subconscious connects to that…

A. because the thought of the straight-ahead romance theme felt a bit cheezy to me, and is pretty tough to pull off without ending up sort of comedic (if you’re me). 🙂

B. because i’ve always found the bittersweet or just plain tragic sounding scoring to really get me in the eyeballs. i think the connection between love and tragedy is intrinsic, and unavoidable…from lost love to concern or mourning those you love. i wonder if this is also affected by my faith and idea of sacrificial love, the impetus for some of the most beautiful and heartbreaking stories we know and can come up with.

so, “romance by request” is a bit darker than i had originally intended, but weaves back and forth between light and dark throughout. i always hope that this sort of movement sounds smooth and natural, but i feel like there are moments in this one where it’s a bit obvious. it’s also possibly a bit long. 🙂 but here’s some technical stuff:

a. i wrote the harmonic (chordal) movement first and melody second…not always a good idea. 😉 but the harmonic movement became a theme in itself in a way, in that when it comes back toward the end of the piece i think it’s recognizable, this time with an entirely different melody on top.

b. the weaving i was talking about happens mostly in the big sections (about four of ’em in the piece). mostly from dark to light to dark to light, if you simplify it. actually, this is a really good question for my faithful audience (mom?): “what’s the emtional contour of the piece by your ear?” you could think of it in terms of A/B/AA/BB forms for example, or:

LAUGH/CRY/CRY/LAUGH/CRY

or even

SMILE/FROWN/EAT LUNCH/ROLL EYES/SLEEP/CRY.

ultimately, this is a piece i’m happy with but not trilled by. i think its drawback is that you probably won’t have the melody stuck in your head…and, even though i went for the conflict of emotions angle, it’s still a bit cheezy to me. 🙂 maybe that’s good though. it’s underrated after all.

THANKS FOR LISTENING/READING!

tune in next week for more bore!