Archive for the ‘tremolo’ Category

the wind dance of satin nightingales

October 25, 2007

welcome back weary travelers! for this weeks tune, i have traveled to the Peruvian high Andes with Frenchmen dressed as Inca kings and toting cigarette holders and 50 year old cognac.

the wind dance of satin nightingales” is steiny’s first real attempt at “exotica”, inspired in part by the halloween party here at maplewood on saturday night. i have heard many of these tunes in my roommate stevies magical party mixes, and finally got inspired on saturday to write in the style.

the instrumentation is as follows:

two pandero’s (small frame drum)

tambourine

shaker

drumset toms

percussion

upright bass

guitar (tremolo)

piano(s)

cellos

xylophone

misc. jungle ambiance and bird calls

some french guy (from a french language program)

jon steiny vocals

rachel steiny vocals

EVERYONE GIVE IT UP FOR RACHEL STEINMEIER! rachel came in just today and whipped out some magical vocal lines, some composed and some improvised. i told her to go for “kermit the frog sings opera” and she rocked it. in case ya’ll don’t know, my sister is a talented and trained vocalist, with a great ear and great range, and will also be appearing in the Detholz – Jukebox of the Dead show halloween night! NEXT WEEK!

well, not sure what else to say about this tune. i’m pretty happy with it. i hope you get transported to a mysterious place (but don’t freak out).

thanks for listening!

j

p.s. a barrel of laughs for anyone who can translate the french

p.p.s mailing list is here

certain things

September 10, 2007

welcome to another weekly update of the jon steinmeier “song a week” weekly blog weak week blog leek. this weeks song is for everyone, especially brad smith, who challenged me to get serious. THIS SONG IS SUPER SERIOUS. it’s called “certain things” (CLICK FOR MP3).

okay. this song came lyrics first, in eight stanza’s that had to be tweaked once the music was written. i was conscious of the lyrics as i wrote the piano/melodic parts but not specifically enough to write the music TO the lyrics. so, the lyrics (syllables per phrase, etc) had to be modified eventually to fit.

WORDS

if i were to say what this song “is about” i would say it’s about taking comfort in knowing that while you don’t know as much as you’d like to (in general), no one else does either. i’ve found that we generally say a lot of stupid things when we pretend to know what we’re talking about and don’t. opinion is inevitable and crucial, but we have a natural desire to KNOW, and often jump the gun by assuming (or acting like) we DO know. this is vague i know, but it’s true i think in a very general to specific sense.

that being said…i love the peace of mind that comes with understanding how little i know as an individual, and the learning that can actually happen when i keep my mouth shut and pay attention. the things in life that we often learn aren’t the things that we’re seeking out. they sometimes come to us in that process toward some other knowledge, like learning (the hard way) that you’re clingy, or that you still see yourself as the fat kid with glasses that you were in 7th grade, or figuring out why you care about that, or having political and/or religious opinions and why…

i reference “checking out the humans” in a sort of “we’re all in this together” sort of way. just to say that everyone has more questions than they let on. and “there’s an amazing level of relax, that comes with checking back” is a key line in the song for me. it’s the first line i wrote, basically as a reminder that we can learn from our own and other people’s triumphs and failures, and relax in the idea that we’re not gonna figure it all out. it’s ok not to know everything. 🙂

as i sing/read the lyrics i find other little ideas (in the same realm) that make sense to me…which is funny and maybe ironic, cause the “meaning” behind the lyrics is something that has evolved a little bit as i read ’em. not to say that they’re lofty by any stretch, but that as i write some bits of my subconscious show up and i have to decipher them later.

MUSIC

http://en.wikipedia.org/wiki/Music

so, writing from the piano, i wrote the A section (certain things are certain) first and liked the character of the Major 6 chord to the diminished chord and looped it. the B wanders a little harmonically (still just two chords though) and made sense with the A so i dug it. i end that section with a FIVE chord (sorry for the harmony talk…hopefully interesting to someone) and had the idea for the intro of the song…just lingering on the five (sol) as a single note. it makes your ear thing that it’s one when it’s the first thing presented to you, so when the full A section comes in it’s like you’ve been tricked, but that note (Five) is still IN the ONE of the A section. 🙂 baaaaaaaaaa sjdklfa;jsdkfl;ajsdklf;jaslkdf;ajsdf. i do the same thing with the bridge, where the chords meander all over the place and end up on a chord (a NEW chord) that has the same single not from the beginning in it…which then repeats just like the intro. again, you’re ear (in theory) has been directed to a different harmonic “home” and will (hopefully) be surprised again to hear the A section return. so, again, you think you know where the one is, but you could be wrong…get it? like the lyrics. get it? yeah? ha! woo…

what do ya’ll think?

thanks for listening.