Archive for the ‘voice’ Category

freaks of nurture

July 9, 2008

hi friends! thanks for tuning in!

Freaks of Nurture

“freaks of nurture” is a poppy little romp through my last few weeks, and simultaneously through years of field work in the area of relationships and human interaction.

MUSIC

this was another song written from the “guitar.” this is often a good bet for me, if i give it time and enjoy playing the instrument. as a keyboard player and drummer, the guitar is both a nice break and an environment with welcome limits. the verse section of this song is a testament to that: very simple and melody driven. the “chorus” has a “strange change” that i think helps get its’ point across, even though the “nothing new under the sun” theory still applies.

for the geeks: i go to the the four chord for the chorus, but make it it IV, IV/I, #IV. what the hell?.

also for the geeks, or anyone who feels like singing along, the melodies in the verse and chorus start exactly the same way…with the same four notes, but in different keys! yay!! this is one of those “continuity” issues that i was really happy with.

after writing the core of the song on my back porch with guitar and voice and verse one lyrics (and coffee), i went to Ableton Live and laid down the fake drums and keyboard parts. i was going for simple, synthy, and a bit funny. i then added guitar, bass, and background vocals that were vaguely in my head from early on, but as usual, came together during the recording process.

WORDS (also known as “lyrics”)

whew…ok…well. this is another song in the “serious” category, which i’m getting increasingly comfortable with for some reason. while it’s understandably vague (i think), it stems from a short list of things:

1. the maplympics (july 4th weekend of events here)

2. girls

3. human nature, social verses innate

4. a funny compound plural noun coined years ago by my friend, steve williamson: “freaks of nurture”

5. a couple of recent dates i’ve had.

woah. dates? i won’t get into it here. but let’s say that i know some lovely people. this song isn’t “about” anyone but me ultimately, but touches on some of my “romantic” relationships, and the conflict and joy therein. in this song, it’s something that reminds me of how wonderfully humans are made (creationist theory), and how interesting and tricky it can be to operate as one (inherently).

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thanks for listening! if you’d you find me interesting enough to send you updates about “song of the week” postings, please click HERE for the mailing list.

if you don’t, thanks for your patience.

j

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theme one

November 27, 2007

welcome back.

i call this one “theme one” (click to listen) because i think of it as the first of a specific collection of “film music with no film.” i wrote it this weekend at my parents place in Missouri, on their piano, in a food coma.

i’ve been getting more and more focused on writing for picture, and at times when no picture is readily available, i’ve written a few things to mental pictures. this pieces mental picture isn’t as specific as some, but i think it leads the minds eye in a certain direction. while i was writing in MO, i started transitioning into entirely different music at the end of the piece, but in this case, chose and recorded and ending to it. in said film, it probably wouldn’t end the way it does in this case.  i dunno.

Form/Theme

A. the main theme is presented right at the top of the piece, heard in the high voice of the piano…playful but with a bit of a “trouble in paradise” idea.

B. transition material darkens the character a bit, then redeems/lightens (“ah” vocals) the character a bit. this section acknowledges that something mysterious/questionable is abound i think.

A1. the main theme in a new key with slight alterations – a back and forth of light and dark ideas…using a whole tone scale at the end to add escalating tension.

C. transition/truncated theme brightens things up a bit, quoting the theme and creating a nice little “V I” to the end section. a “V I” (five, one) is basically a way to set up a new resting place, or harmonic “home” for the ear. it’s like the “amen” at the end of a hymn, with two chords (five/one or four/one) that say “all-done” or “your home” to the ear.

D. new material – we arrive at this “home” and slow the pace down. the character is tired perhaps, or contemplative. this section goes back and forth between light and dark versions of itself, nodding to that conflict still existing (whatever that conflict is). then, maybe the character falls asleep.

what do you think?

YOUR MISSION, if you choose to be awesome:

come up with a short narrative for this piece and post it as a comment. i have ideas, but they’re pretty open. i’d LOVE to hear yours.

j